With over a decade of experience in audio, Andrew has worked with clients from all over the world, including numerous Grammy award winners, The Voice winner Brynn Cartelli, and America’s Got Talent “Golden Buzzer” winner Mandy Harvey. In 2019 he recorded and mixed “Be a Pain: An Album for Young (And Old) Leaders” by Alastair Moock, which was nominated for a 2020 Grammy award.
Andrew has worked with artists and producers including Anderson .Paak, Rachael Price (Lake Street Dive), Taylor and Griffin Goldsmith (Dawes), Sophie B. Hawkins, The Front Bottoms, Slow Joy, Sincere Engineer, Born Without Bones, Layzi, Bay Faction, Viruette, Cool Cool Cool, Ryan Montbleau, Darlingside, Heather Maloney, Cloudbelly, High Tea, Seth Glier, Billy Keane, Tim Myers (OneRepublic), Mike Sapone (Brand New, Taking Back Sunday), Tyler Chester (Madison Cunningham, Margaret Glaspy), Ryan Hommel (Amos Lee, Daisy Jones & The Six) and Bill Lefler (Ingrid Michaelson, Dashboard Confessional). He has led audio workshops for colleges including NYU Steinhardt, CUNY Brooklyn College, UMass and University of New Haven.
Andrew has worked on commercial projects for Disney, Pfizer, Nike, Hannaford, and Penguin Random House. His sound design and audio post-production work has been featured in narrative and documentary films that have premiered at festivals including the Ann Arbor Film Festival, Middlebury New Filmmakers Festival, and Maryland Film Festival.
Andrew has led audio workshops for colleges including NYU Steinhardt, CUNY Brooklyn College, UMass and University of New Haven.
Andrew owns and operates Ghost Hit Recording, a 3,000 sq ft residential recording studio in Western Massachusetts. He is also a co-founder of Hollow Mountain Sound, a boutique audio post-production and music company for filmmakers, businesses, and content creators.
andrew@ghosthitrecording.com
Andrew Oedel 